An Ideal Husband

miramax


RUPERT EVERETT as
Lord Arthur Goring


 

CATE BLANCHETT as
Lady Gertrude Chiltern


 

JEREMY NORTHAM as
Lord Robert Chiltern


 

JULIANNE MOORE as
Mrs. Laura Cheverly


 

MINNIE DRIVER as
Mabel Chiltern

 

Director/Screenplay

Oliver Parker
  
from the play by
Oscar Wilde

Dir. of Photography

David Johnson

Costume Design

Caroline Harris

images 1999 Miramax

c i n e m a

written 7.10.99

You'll enjoy this if you liked: anything with Rupert
NOMINATED Golden Globe - Comedy or Musical
   Best Actress: Julianne Moore   Best Actor: Rupert Everett
1 hr 36 min.  Miramax.

"An Ideal Husband" boasts an impeccable pedigree: a fine cast headed by always-suave Rupert Everett, screenplay based on Oscar Wilde's play, dazzling 1890s costumes and a very timely premise:  a rising politician and the scheming woman who's got the goods on his scandalous past.  All the ingredients for a delicious, effervescent stinging comedy of manners and mores in the tradition of "Sense and Sensibility" but it's a lukewarm affair that never fulfills its promise.  What a shame. 

Director Oliver Parker plods through his lolloping screenplay with all the subtlety of an arthritic rhino, failing to create any sparks with a quite remarkable cast and scintillating story.  His uneven screenplay is larded with scenes that are too long and meandering, and it takes forever to set up the story.  When things finally get rolling (greatly aided by
Julianne Moore's vicious, eternally smiling Mrs. Cheverly) he wastes too much time letting Mabel (Minnie Driver) flounce about making a lot of faces, and stiffly tries to set up atmosphere and character in a few very awkward scenes.  Gertude (Cate Blanchett, of 'Elizabeth') is supposed to be a rising political star and very bullheaded, but we see no evidence of this except the end of a woman's rights meeting.   Okaayy......   Even the strong presence of Jeremy Northam (from 'Emma' and 'The Net') as Robert, teetering on the brink of ruin, fails to light a fire under this tale of political intrigue and drawing-room betrayals.  Scenes lack both juice and meat!

Parker fails to realize that costume drama succeeds despite of, not because of, its pretty trappings.  And they are pretty.  All the gowns are dazzling, as is Rupert, who is called upon to do very little except toss off a witty line and look charming, until the last third of the movie.  Ah, he does look marvelous, especially in the steam-bath scene. 

Excellent costumes distill the essence of the late Victorian period, very good job expressing the character's personalities through their costumes (note Arthur's sleek and flashy clothes, Mrs. Cheverly's sensual, daring gowns and Gertrude's sensible outfits).  Interesting note: most of the jewelery is the real thing.  Production design is cluttered but quite good.  Lighting is poor, with a few exceptions, and photography is muddy and weak.   More emphasis should have been placed on better indoor photography with such a handsome cast and strong production values.  It's too murky, and one shouldn't have to strain to see expressions, in a light romantic comedy.  ANY shot where Rupert appears to have eye-bags is very poorly done.

Despite a lackluster script and bad lighting, Rupert handles himself with the ease of a panther, tossing off witty quips with aplomb, yet successfully showing Lord Goring does have a good heart under his determinedly louche existence.  He's a fantastic comedian with fine timing, with the depth to  communicate sufficient emotional complexity required to make us believe this dilettante would go to ridiculous lengths to help his friend Robert and protect Gertrude's reputation.  He has a number of very funny scenes, delivering his jabs with an insolent wit and droll delivery.  It's too bad such amusing scenes don't add up to a whole movie.  Julianne Moore is terrifically hissable as the conniving Mrs. Cheverly (whose name is wonderfully mangled by Minnie Driver's spunky character).

 The cast plays beautifully off each other, demonstrating a remarkably consistent chemistry between everyone.  All the actors handle their lines, with very good attention to delivery, particularly Moore as the dangerous outsider.  Her purring, smiling Mrs. Cheverly is one part Catwoman, one part Linda Fiorentino's Bridget from 'The Last Seduction' and the remainder, a humorous spin on Glenn Close's Madame Merteuil from 'Dangerous Liasions.'

It's too bad the director wasn't better versed in the subtleties of drawing-room battle.  Lackadaisical pace drains momentum and tension from scenes that should jump off the screen.  Result: very attractive actors doing a good job with decent lines and a movie that fizzles out. 
Costume work is superb and should get a nod come Oscar time.  A light trifle, worth renting for Rupert's steam room scene.  WOW. 

Watch Martin Scorsese's masterful "The Age of Innocence" or the icy "Dangerous Liasions" for well costumed, emotionally gripping tales of life-altering blackmail in genteel society.


 

ALL WRITING DESIGN MATERIAL and PHOTOS COPYRIGHT 1998-2000 TIGERBEETLE PRODUCTIONS unless otherwise noted.  ALL RIGHTS RESERVED.